Review: The Invitation (2016)

By Mike

Have you ever had a movie you enjoyed so much that you wanted to tell everyone about it –  except you didn’t want to reveal ANYTHING that happens? This the problem I’m faced with when reviewing and recommending The Invitation…one of the most tense, surprising, tightly written thrillers I’ve seen in a long time.

All I’ll reveal about the story is this: Will (Logan Marshall-Green) arrives at a dinner party hosted by his ex-wife and her new husband, and a group of old (and new) friends, and starts to grow suspicious that there’s a much darker, more sinister reason for this dinner party.

Revealing anything more about the plot would spoil the fun; it’s best to go in completely cold and enjoy the suspense of figuring out what’s really bubbling beneath the surface. The movie is a slow burner, relying more on awkward character interplay which at times is brilliantly excruciating and real. We’ve all been there…you meet  up with a group of old friends that you’ve known for years, yet something’s changed, you’re all different now, things feel awkward, uneasy and you’re not entirely sure why? This movie has that feeling in spades. It felt like every character was hiding something and somehow that is far scarier than any bloodthirsty monster.

In some ways it’s easy to liken this film to Joel Edgerton’s brilliant thriller The Gift from last year, although to me, the film’s painful claustrophobic discomfort and dread felt more akin to Ben Wheatley’s Kill List, or specifically, the dinner party scene at the beginning of Kill List. Director Karyn Kusama masterfully limits how much information her audience gets in an almost Hitchcockian way, manipulating and controlling our perspectives and alignments with various characters at different points in the movie, whilst keeping us trapped in the confines of this hellish Hollywood home. All the characters are played masterfully, with a particularly outstanding performance from Logan Marshall-Green, who somehow manages to pull off playing such a cold, damaged, pensive character with enough warmth and depth that it’s impossible not to get behind him 100%.

I feel as though I’ve already said too much, so I’ll finish with this: The Invitation is a MUST-SEE. It’s rare that movies are so engrossing, so unpredictable and so perfectly paced, relying on intelligent character interplays for tension rather than cheap jump scares. This movie has a little something for everyone, and hardcore horror fans certainly won’t be disappointed by the final act.


Christmas With The Coopers (2015)

Review by Rhianna

My second Christmas film of the year, with a decent, ensemble cast, something to look forward to, right? I had high hopes for a really jolly, festive, feel good comedy and actually I spent most of the film on the verge of tears. The pressures of Christmas is not an uncommon theme – It’s A Wonderful Life anybody? – but in this, we follow the multiple strands of different family members reuniting on Christmas Eve.

The parents, played by the perpetually flustered Diane Keaton and the sorrowful John Goodman almost break your heart as a couple on the verge of separating after 40 years together. Their son is faring no better, in the midst of a divorce himself, unemployed and unable to tell anyone and is played with an appalling mediocrity by Ed Helms. Someone thought it would be a great idea to give him a tick so whenever he gets anxious, his lines are often followed by a contrived, pig-like snort. So far, so depressing, so thank God then for their daughter, who is dreading telling them that she is once more, single at Christmas (apart from the married man she’s sleeping with) so brings home a soldier she’s met at the airport, camouflage and all.

Olivia Wilde (Drinking Buddies, Tron) thrives in a naturalistic environment which is why her storyline, although farfetched, seems to be the most believable. Her slightly desperate need to please her parents, who we know love her unconditionally, rings true, as does her witty repartee with affable stranger Joe (Jake Lacy). She’s an atheist, a pacifist and a Democrat, very appealing to a British audience, and isn’t afraid to rip into his views. My kind of woman.

It’s disappointing that the family doesn’t get together until quite a massive chunk of the film has gone past because who doesn’t love a healthy dose of dysfunction? Time is spent instead on the gentle, festive meandering of the Coopers, including Alan Arkin (who once played John Goodman’s colleague in Argo and is now his father-in-law because none of the ages make sense in this film) whose kindly grandpa is in love with a girl in her 20s, which is less creepy than it sounds, they are two kindred spirits romanticising their odd friendship because of their loneliness.

The trouble with Christmas with the Coopers is that there are too many storylines to keep a handle on and not enough depth in any of them; it throws up way more questions than it answers and puts a real downer on Christmas. It’s not the feel-good Christmassy movie that you might be hoping for, neither has it fallen into the awful ensemble trap that is Valentine’s Day because it actually has some heart in there and gets under the skin of what it’s like to have to sit on your frustrations with the people you should love most. Unfortunately, Steve Martin as the voice of the dog who doubles as the narrator feels like that last chocolate liqueur on Christmas day, a great idea until you actually eat it and feel sick.